James Ostrer macht albtraumhafte, groteske Masken aus Süßigkeiten und Junk Food.
James Ostrer’s (England, 1979) photographs of sugar adorned subjects allude to the history of primitive art, synthetic dietary sugar intake, and an irreverent twist on the absurd in which societal practices of ingestion oscillate into a nightmarish world of abject effrontery and nutritional disillusionment.